

It is also considered Sargent’s greatest masterpiece. After her death in 1915 he sold it to the Metropolitan Museum of Art and it is part of the permanent collection where millions of people a year view it.

The artist held onto the infamous portrait of Virginie, now called Madame X. It’s a fantastic read, chock full of historical detail.Īnd of course we know now that Sargent went on to become one of the most famous portrait painters of all time and the most important artist of the Gilded Age. But using documents from private collections and other factual data, Davis weaves a delicious and detailed account of how Sargent rose to prominence as an artist and the relationship he had with Gautreau and others, including socialites and artists of the era.

Madame X by John Singer Sargent (American, Florence 1856–1925 London) (1856 – 1925), via Wikimedia CommonsVery little is actually known about the scandalized socialite. When the painting came down from exhibit at the Salon, Sargent corrected his faux pas by painting over the dangling strap and repainting it into its proper place on the shoulder. The shocking reaction by art critics almost ruined Sargent’s fledgling career as well. Virginie was so depressed and self-conscious that she removed all the mirrors in her home and retired from public life. Her reputation was so maligned that she and her mother threw big bitch fits and demanded that the painting be taken out of the exhibition and destroyed. And while there were indeed nude paintings hanging in the exhibit that year, her standing in society made the suggestion entirely inappropriate. Sargent had painted one strap of her gown dangling from her shoulder which suggested the aftermath of sexual activity. And John Singer Sargent was still an up and coming talent when he pursued her to sit for a portrait.īut when the portrait was unveiled at the 1884 Paris Salon (the Salon was a big deal, kind of like the Oscars are for the entertainment industry now) it scandalized Gautreau. A wealthy Creole from Louisiana, she was considered one of the most elegant and beautiful women in France a celebrated personality, she powdered her skin purplish white and rouged her earlobes red.
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Virginie Amélie Avegno Gautreauwas the “it girl” of Paris during the late 19 th Century. Unfinished version of Madame X by John Singer Sargent, via Wikimedia CommonsWhat does it take to scandalize someone today? Kim Kardashian has her big ugly ass plastered across magazine covers every Hollywood starlet trying to stay relevant promotes a sex tape Bill Clinton had sex with an intern in the Oval Office but for a 23 year-old socialite in 1884 Paris all it took was for John Singer Sargent to paint her Strapless!
